
Show Notes
In 1697, after Abenaki raiders killed her newborn infant before her eyes, Hannah Duston of Haverhill, Massachusetts became a captive, forced to march toward Canada. Days later, she killed ten of her captors—including six children—and escaped with their scalps. Colonial minister Cotton Mather transformed her story into a parable of Puritan righteousness, portraying her as a biblical hero striking down savages. But Hannah's tale didn't end there.
By the 1820s, as America expanded westward, her story resurfaced with new purpose. Literary figures like Nathaniel Hawthorne revisited her narrative just as the nation debated Native removal. Hannah became a symbol—the innocent white woman defending herself against monstrous attackers—justifying centuries of violence against indigenous peoples. In 1861, she became the first American woman honored with a public statue, her image wielding tomahawks and scalps like Columbia, the nation's Liberty Goddess.
This hidden page of American history reveals how one mother's trauma in colonial Massachusetts became the foundation for expansionist narratives that persisted through the Cold War, Vietnam, and beyond. Who decides the line between hero and villain? Join us as we examine the two faces of Hannah Duston and the dark legacy of America's founding mythology.
New episodes every Tuesday.
Episode Summary
Hannah Duston's story is one of the most morally complex tales in American history. In March 1697, during King William's War, a 40-year-old mother from Haverhill, Massachusetts witnessed her newborn child murdered by Abenaki raiders. Taken captive alongside her neighbor Mary Neff and an English boy named Samuel Lennorzen, Hannah was forced to march toward Canada. Days later, in a brutal act of revenge, she killed ten members of the Native family holding her—six of them children—and returned home with their scalps to claim a £50 bounty.
But this episode isn't just about one woman's violence. It's about how her story was weaponized across centuries to justify American expansion, Native removal, and international interventions. From Cotton Mather's 17th-century sermons to 19th-century statues to modern foreign policy, Hannah Duston's legacy reveals how selective storytelling shapes national identity.
Key Figures
- Hannah Duston (1657-1736) - Haverhill, Massachusetts mother whose captivity and revenge killing became an American founding myth
- Cotton Mather (1663-1728) - Puritan minister who wrote three versions of Hannah's story between 1697-1702, framing her as biblical heroine
- Mary Neff - Hannah's neighbor, fellow captive, and accomplice in the killings
- Samuel Lennorzen - English boy previously captured, taught Hannah and Mary how to wield tomahawks
- Nathaniel Hawthorne (1804-1864) - Literary figure who revisited Hannah's story during the 1820s-1830s era of westward expansion
- Charles Goodrich - 1823 historian who depicted Native Americans as monsters in his retelling of captivity narratives
Timeline of Events
- 1657 - Hannah Emerson (later Duston) born in Haverhill, Massachusetts
- March 15, 1697 - Abenaki raid on Haverhill; Hannah's newborn killed, she and Mary Neff taken captive
- March 30, 1697 (approx.) - Hannah, Mary, and Samuel kill ten of their captors and escape by canoe
- 1697-1702 - Cotton Mather writes three versions of Hannah's story, establishing the heroic narrative
- 1820s-1830s - Story resurfaces during debates over Native removal and westward expansion
- 1823 - Charles Goodrich publishes sensationalized version depicting Native Americans as supernatural monsters
- 1850s - Increased westward expansion drives renewed commemoration
- 1861 - First statue erected in Haverhill—the first American woman honored with a public monument
- 1874 - Second statue built on island north of Concord, New Hampshire, depicting Hannah as Columbia-like figure with tomahawk and scalps
- 1890s - As Native American population reaches near-extinction, Hannah's story fades from prominence
- 20th-21st centuries - Legacy continues in American self-perception as righteous global guardian
Historical Context
This episode takes place during King William's War (1688-1697), part of a larger conflict between English colonists, French forces, and various Native American nations. Following the devastation of King Philip's War (1675-1678), which killed up to 80% of southern New England indigenous populations through violence, starvation, and slavery, surviving tribes allied with northern nations like the Abenaki. These alliances, supported by the French, raided English frontier settlements throughout the 1690s.
The broader context includes:
- Colonial expansion into Native territories creating constant frontier violence
- Captivity narratives as a popular literary genre used to demonize Native Americans
- Puritan theology framing conflicts as spiritual battles between good (colonists) and evil (natives)
- 19th-century Manifest Destiny using historical narratives to justify westward expansion
- Women's symbolism in American identity—Columbia as virtuous maiden, women as moral voice of the nation
- Removal era (1830s-1850s) when Hannah's story was strategically revived to support forced Native relocation
Geographic Focus
Haverhill, Massachusetts - Colonial frontier town on the Merrimack River, approximately 30 miles north of Boston. In 1697, Haverhill was a vulnerable settlement on the edge of English territory, subject to frequent raids during King William's War. The town's strategic location made it a target for Abenaki forces allied with the French.
Route of Captivity: Hannah and fellow captives were marched northward toward Canada, likely following traditional Native routes along the Merrimack River valley. Her escape occurred somewhere in present-day New Hampshire before reaching the Canadian border.
Monument Locations:
- Haverhill, Massachusetts (1861 statue, later repurposed for Civil War memorial)
- Island north of Concord, New Hampshire (1874 statue still standing)
Sources & Further Reading
- Cotton Mather Primary Sources
- Decennium Luctuosum (1699) - First published account of Hannah Duston's captivity
- Magnalia Christi Americana (1702) - Expanded version within larger New England history
- These texts established the heroic narrative that shaped centuries of interpretation
- Academic Analysis
- The Name of War: King Philip's War and the Origins of American Identity by Jill Lepore (1998)
- Examines how colonial conflicts shaped American identity formation, including captivity narratives
- Captivity Narratives & Women's Studies
- The Unredeemed Captive by John Demos (1994)
- Explores colonial captivity experiences and their lasting cultural impact
- Native American Perspectives
- Facing East from Indian Country by Daniel K. Richter (2001)
- Provides indigenous perspectives on colonial encounters often missing from traditional narratives
- Monument & Memory Studies
- Standing Soldiers, Kneeling Slaves by Kirk Savage (1997)
- Analyzes American monument culture including Hannah Duston statues as first woman commemorated
- 19th Century Expansion Era
- Historical society archives from Haverhill and Concord document the revival of Hannah's story during westward expansion
- Contemporary newspaper accounts from 1820s-1860s show how her narrative was deployed politically
- Modern Scholarship
- Multiple academic articles examining how Hannah Duston's story functioned as propaganda across American history
- Studies of how gender, violence, and national mythology intersect in her legacy
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Credits
Shane Waters — Founder & Host
Produced by Myths & Malice